"...and then take clean blanched almonds and extract milk from them, but
goat milk would be better..."
So specifies a recipe from Ruperto de Nola's "Book of Cooking" (Llibre de Coch / Libro de Cozina), a text published in the Catalan and Castillian languages in 1529. (This quote, and all others in this post, are taken from the translation by Robin Carroll-Mann, available in full at florilegium.org. If goat milk would be better, why, then, does de Nola specify almond milk?
It is because the dish is for Lent, and this imposes precise requirements on the food.
Showing posts with label holidays and festivals. Show all posts
Showing posts with label holidays and festivals. Show all posts
Thursday, February 11, 2016
Thursday, November 5, 2015
We come a cob-coaling for Bonfire time
Remember, remember!
The fifth of November,
The Gunpowder treason and plot;
I know of no reason
Why the Gunpowder treason
Should ever be forgot!
The fifth of November,
The Gunpowder treason and plot;
I know of no reason
Why the Gunpowder treason
Should ever be forgot!
Thursday, December 25, 2014
To Drive the Cold Winter Away
All hayle to the dayes,
That merite more praise,
then all the rest of the yeare:
And welcome the nights,
That double delights,
as well the poore as the Peere:
Good fortune attend,
Each merry mans friend,
that doth but the best that he may:
Forgetting old wrongs,
With Carrols and Songs,
to drive the cold winter away .
That merite more praise,
then all the rest of the yeare:
And welcome the nights,
That double delights,
as well the poore as the Peere:
Good fortune attend,
Each merry mans friend,
that doth but the best that he may:
Forgetting old wrongs,
With Carrols and Songs,
to drive the cold winter away .
Thursday, May 8, 2014
Special Characters in Folk Festivals
Around the world, across many centuries, traditional festivals feature the portrayal of traditional characters unique to the occasion. Many of these have ancient roots, though every one can be seen to have changed over time. Such characters are, in general, anonymous (or at least able to step out of their performers' everyday selves), tied to the context in which they are seen, and consistent from one instance of the event to the next (even if the performers change as years go by); most are associated with dance or other performance.
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